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Thoughts & Ideas

Trek in a Cemetery

Okay, so this isn’t usually the place that most people go for pictures. But, for some reason, I like cemeteries, and today was a gloomy but warm day, and I just had to go wandering through a cemetery before I did other various errands. These were all taken with my Lensbaby Composer at f/2 using the double-glass optic.


Praying Statue

More LensBaby Fun

I’ve stated in several places that I absolutely adore my EF 24-70 f/2.8L USM and my EF 70-200 f/4L IS USM lenses, and that my 50 f/1.8 is wickedly sharp, especially considering the price ($100). All of these lenses produce excellent color, sharpness, and contrast. And yet, I’ve fallen in love with another lens: my new LensBaby. This lens isn’t about sharpness, saturation, or contrast – at least not in the ways we think of now-a-days.
I’ve posted the results of my first experiments, and in that vein, here are some more results of experimentation. For all of these images, I used the double-glass optics with an aperture of f/2.
Behind the Curtain: (1/60 sec @ f/2; 50mm ISO 100)
Behind the Curtain

Lensbaby Composer

Note: Reposted because of a trigger-happy finger and a delete button. D'oh!

The LensBaby Composer is the third iteration of the LensBaby concept – a lens that you can tilt to achieve all sorts of creative effects. You can drop in different optics – from double-glass optics (relatively sharp), to plastic optics (think lomo), and even pinhole or fisheye optics. Needless to say the variation you can get out of this is amazing, as long as you’re willing to experiment.
I bought my Composer on Saturday, and so I haven’t had a lot of time to play, but of course, it was a new toy, so I had to play a bit. It was really cold & windy outside, so instead I coerced my puppy stuffed animal to pose for me:
Lensbaby Meets Stuffed Animal
Pose #1 (Double-glass Optics, f/2, 1/125, ISO 100)